Tuesday 7 March — Peer Observation by Peter Chadwick

Ob2 Peer Observation Report Session To Be Observed: MA Illustration / Camberwell College of Arts — Size Of Student Group: 40 Students — Type Of Activity: Project 5, Printing & Making Workshop — Observer: Peter Chadwick  — Observee: Dan Freeman 

COMMENTS: I arranged to meet Dan on the morning of Tuesday March 7 in advance of the workshop starting at 10am. Dan talked me through what the students would be able to participate in during this 5-hour workshop. The aim of the workshop was to offer the students the opportunity to explore 4 activities including: making an object, textiles, moving image and publications with a view to informing and situating their interests and practice in advance of the final major project. These exciting activities occupied two teaching spaces in which materials, technical equipment, and resources were readily available for the students to use.  

After a slightly delayed start due to some of the students arriving later than anticipated, they were welcomed into a warm and friendly space by the four tutors running the workshop. Five large round tables were arranged to encourage the students to sit together within groups rather than sitting in smaller groups or alone. The latecomers were asked to wait and listen towards the side of teaching space near to the entrance, so they did not disturb the presentation.  

Sinead Evans, the MA course leader introduced the day in a 15-minute verbal presentation. Dan supported Sinead by constantly adding comments and insights about the making and learning opportunities available throughout the day. At this point Dan took the opportunity to introduce me to the student cohort.  

Sinead and Dan suggested that the students should not worry too much about the outcome, encouraging them to instinctively to respond to making and process whilst recording and note taking throughout the day. Dan added that the students should record the day through note taking and photography for their process journals. Going onto add about working with ‘a good energy’ throughout the day and to see what could be achieved. 

The day’s activities were based in the MA illustration studio and the adjacent Maker Space. It was interesting to see how the students responded to the available activities, I noted that the analogue based activities were more popular than the more technically demanding motion / animation activity. Some more information and insight may have helped the students understand the methods and making possibilities. It can be challenging when encouraging students to explore digital skills that they may not have experienced before or are comfortable with. I hope that the student engagement within this area was increased later in the session. 

Throughout the observation, Dan was helpful and encouraging with the students. Sharing his knowledge and experience in relation to the workshop activities available. It was impressive to see him show the students how to use the sewing machine.  

I really enjoyed this opportunity to observe this workshop for 90 minutes, giving me further insights and evidence of the importance of forward lesson planning, having appropriate materials and equipment ready for the students to use. Co-teaching also offers the student cohort multiple points of view, skill sets and insights in response to this thinking through making experience. Across all areas of this experience, it gave me the opportunity to step back to observe and consider this teaching and learning environment whilst reflecting upon similar teaching experiences within my own practice.  

*Unfortunately I did not take any photographs on the morning of this workshop observation.

About Peter Chadwick

Peter Chadwick is an Art Director, Graphic Designer, author and educator. Since graduating from Chelsea School of Art in 1991 with a first class honours degree in graphic design, he has gained over 28 years experience working as an art director and graphic design practitioner. Chadwick has worked with major recording artists including Primal Scream, Beth Orton, Groove Armada, Girls Aloud, Nitin Sawhney, The Rolling Stones. Other clients have included Universal Music, Phaidon, Harvey Nichols, Sony Music, The Washington Post, Barbican and Peabody Housing. Since 2005 he has been involved with academic teaching across all year groups on the BA Graphic Design Communication course at Chelsea College of Arts where he is currently a senior lecturer. He has previously taught at London College of Fashion, London College of Communication and Camberwell College of Arts and was a second year leader at Chelsea College of Arts from 2015 - 2020. His teaching practice encompasses all areas of his design practices and utilises my industry experience. I am particularly interested in themes such as exploring and developing personal practices, importance of rudimentary graphic design skills, art direction, connecting with industry, mentoring, supporting graduates, internships, collaborative and live projects and the culture of the design studio. Chadwick has also curated and organised the BA Graphic Design Communication professional talk series since 2015. He has invited practitioners, studios and writers such as Michael Bierut, Alice Rawsthorn, Stefan Sagmeister, Shona Heath, A Practice for Everyday Life, Anthony Burrill, OKRM, Nelly Ben Hayoun, Patrick Thomas, Astrid Stavro, DIA, Yuri Suzuki and Build to speak and share insights with the students. He regularly speaks about his work at universities and arts organisations. Past talks have been given at the V&A, RIBA, Design Museum, Hay Literary Festival, Brighton University, S1 Art Space Sheffield, Falmouth University, Grafik Letterform Live, IDN Festival Singapore. He has also been interviewed on BBC Radio London and BBC World Service. His work has been published in over 40 books and has been featured in The Guardian, New York Times, Dezeen, Creative Review, It’s Nice That, Design Week, Wired, Blueprint, The Washington Post, El Pais, Icon, Cool Hunting, Monocle, The Observer, The Guardian and been exhibited in the UK, Europe and Asia. Chadwick’s self generated­­­­ project ‘This Brutal House’ was launched on Twitter in 2014 as a platform to share my passion, interests, photography and work about Brutalism, all things concrete and modern. His Twitter and Instagram feeds have amassed over 90,000 followers since being launched in support of this ongoing project. His first book ‘This Brutal World’ was published by Phaidon in 2016 and was voted one of the best architecture books in 2016 by Rowan Moore, architecture critic of The Guardian. Chadwick’s latest book ‘The Town of Tomorrow’ documenting 50 years of Thamesmead, which he conceived, edited and organised funding for was published by Here Press in January 20­­­19.
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