PG Cert Aims & Aspirations

I proceed positively on this new active learning journey despite underlying concerns about managing my time across my teaching commitments on two UAL courses and another course at London Met (MA Visual Communication). Alongside my teaching practice I am also a practicing Graphic Designer and am currently working on several self generated projects which are important to the development and underpinning of all areas of my creative and teaching practices. This self generated and commissioned work informs and supports my teaching practice. I regularly use this work as points of reference for students to engage with and respond to. Topics such as communication, awareness of appropriate audience, answering a client brief, research related to a brief, iteration, play within a project, project development and time management are areas that connect the various areas of my practices together. I am particularly interested in students learning rudimentary Graphic Design skills. These should be considered as transferable core skills that can be deployed in a variety of areas of practice beyond the more traditional graphic design vocations.

I am interested in exploring how to connect more clearly theory and practice or my professional and academic practices if you like. In the book ‘Graphic Elements: A Realist Account of Graphic Design’ published in 2023 by Onomatopee 223. After attending a Graphic Design seminar at Maryland Institute of Art in 1985, Pentagram NYC partner and designer Paula Scher said ‘the speaker is supposed to be talking about graphic design, not quantum physics’. Scher goes on to say ‘meaningful discussion, clear explanations, and tangible results rather than baffling theories of graphic design.’ She asked, ‘where is the graphic design?’. (page 184}. This is something I have encountered and at times having being frustrated by academic theories and language that can be baffling to me despite having worked for several years at Chelsea. I am interested in developing a space within my practices that connects my academic and professional worlds more clearly. They for sure can sustain and support each other, to see them as the same practice rather than different parts of a practice. This singular practice with roots in the professional and academic worlds will be beneficial to student cohorts and how they communicate and navigate through these worlds.

I must stress that this is not one way traffic. The pace and demands of working and responding to the requirements of a client brief can be limiting to the ambition and development of a concept or campaign. Research processes can be limited and the time required to make any meaningful developments and decisions may not be available. 

My PG cert tutor Lindsay Jordan encouraged me to ’embrace the pain’. a great anecdote to use and keep close to me throughout the duration of this year long course as I grapple with the demands of my time across multi projects and spaces. The ability to recognise and prioritise specific requirements, submissions and projects will demand a finely tuned timetable / schedule and where needed, my ability to say ‘NO’ to something or someone when appropriate in order to meet the demands and requirements of this course. 

At my micro teaching session, I shared with Lindsay about previous less than encouraging comments made by a teaching colleague about the validity of my presence on a course I was teaching on. Lindsay commented, perhaps that this attributed to my slow response to arranging and organising my moodle, blog and email for this course. I think she was right. Moving forward, I aim to be a teachable and enquiring student. I hope to engage with and learn new methods and modes of teaching that I can apply to my practice in order to enrich and develop a greater depth of meaning and understanding of how and why I teach. Underpinning my teaching practice is a deep seated passion and interest in the wider contexts of Graphic Design Communication. I am looking forward to gaining new insights that will help me develop my teaching practice. Onwards we go!

Edited by James Dyer and Nick Deakin.

About Peter Chadwick

Peter Chadwick is an Art Director, Graphic Designer, author and educator. Since graduating from Chelsea School of Art in 1991 with a first class honours degree in graphic design, he has gained over 28 years experience working as an art director and graphic design practitioner. Chadwick has worked with major recording artists including Primal Scream, Beth Orton, Groove Armada, Girls Aloud, Nitin Sawhney, The Rolling Stones. Other clients have included Universal Music, Phaidon, Harvey Nichols, Sony Music, The Washington Post, Barbican and Peabody Housing. Since 2005 he has been involved with academic teaching across all year groups on the BA Graphic Design Communication course at Chelsea College of Arts where he is currently a senior lecturer. He has previously taught at London College of Fashion, London College of Communication and Camberwell College of Arts and was a second year leader at Chelsea College of Arts from 2015 - 2020. His teaching practice encompasses all areas of his design practices and utilises my industry experience. I am particularly interested in themes such as exploring and developing personal practices, importance of rudimentary graphic design skills, art direction, connecting with industry, mentoring, supporting graduates, internships, collaborative and live projects and the culture of the design studio. Chadwick has also curated and organised the BA Graphic Design Communication professional talk series since 2015. He has invited practitioners, studios and writers such as Michael Bierut, Alice Rawsthorn, Stefan Sagmeister, Shona Heath, A Practice for Everyday Life, Anthony Burrill, OKRM, Nelly Ben Hayoun, Patrick Thomas, Astrid Stavro, DIA, Yuri Suzuki and Build to speak and share insights with the students. He regularly speaks about his work at universities and arts organisations. Past talks have been given at the V&A, RIBA, Design Museum, Hay Literary Festival, Brighton University, S1 Art Space Sheffield, Falmouth University, Grafik Letterform Live, IDN Festival Singapore. He has also been interviewed on BBC Radio London and BBC World Service. His work has been published in over 40 books and has been featured in The Guardian, New York Times, Dezeen, Creative Review, It’s Nice That, Design Week, Wired, Blueprint, The Washington Post, El Pais, Icon, Cool Hunting, Monocle, The Observer, The Guardian and been exhibited in the UK, Europe and Asia. Chadwick’s self generated­­­­ project ‘This Brutal House’ was launched on Twitter in 2014 as a platform to share my passion, interests, photography and work about Brutalism, all things concrete and modern. His Twitter and Instagram feeds have amassed over 90,000 followers since being launched in support of this ongoing project. His first book ‘This Brutal World’ was published by Phaidon in 2016 and was voted one of the best architecture books in 2016 by Rowan Moore, architecture critic of The Guardian. Chadwick’s latest book ‘The Town of Tomorrow’ documenting 50 years of Thamesmead, which he conceived, edited and organised funding for was published by Here Press in January 20­­­19.
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